Monday, 19 September 2016

Edmund de Waal – The Hare with Amber Eyes (Book, 2010)



I came to Edmund de Waal’s The Hare with Amber Eyes under a slight misapprehension, namely that it was a book about a collection of netsuke (small Japanese carvings made of wood or ivory) which the author had inherited from a great uncle. It is that, in part, but really the netsuke are just a means to explore de Waal’s family history. Through his eyes, we follow the netsuke as they make their way from Japan to late nineteenth-century Paris, and then on to early twentieth-century Vienna. We are introduced to the Ephrussi family, Jews who had made their fortune in finance, and key players such as Charles Ephrussi, a significant art collector who counted many famous artists among his friends. There’s a fair amount of drama as the family’s fortunes waver, and de Waal doesn’t shy away from lurid details of his ancestor’s bohemian lifestyles (it seems that every one of them had multiple lovers, proving that sex is a hobby for the rich).

The Hare with Amber Eyes describes a golden age that combined wealth and art, a world which is so far removed from my own that it’s almost impossible to believe that people ever lived like that. Does the Ephrussi family’s wealth and opulence annoy or amaze me? Both really. I find it baffling to think that people can live so extravagantly when there is such poverty elsewhere, though of course this is also the case in the modern world (perhaps more so now than ever). That’s not to say that the book maintains a rose-tinted view of Old Europe: de Waal also does a very good job of highlighting the appalling anti-Semitism faced by European Jews at that time, giving it real context in terms of the effect it had on his family. Unsurprisingly, the book takes a harrowing turn when Hitler finally takes a hold of Austria and World War Two commences. It’s horrifying – there is no other word – to read about the rising hatred, the beatings, the theft of Jewish property, the murders of countless innocents. It’s not the same thing, but I heard similar arguments leading up to the EU referendum: how Eastern Europeans have taken British jobs; how ‘stateless’ immigrants don’t care about their adoptive country, only the money they can take from it; how our values are superior to theirs; how it’s time to ‘take back control’ of our destiny. The situation now in Britain is not remotely as bad as it was for Jews in Europe in the late 1930s, but the arguments, the thinking, are the same: things will only be better once we get rid of these people. Have we learnt nothing?

The Hare with Amber Eyes won widespread praise and several awards. I’ve seen some online reviewers dismiss de Waal’s writing as overwrought, which it can be, but there are some truly beautiful sentences, my favourite being when de Waal describes his guilt about reading his grandmother’s book annotations: “I am turning real encounters into dried flowers”.

Was the book what I expected? No. Did I enjoy it anyway? Absolutely. It just goes to show that it isn’t always a bad thing if a book turns out to be very different to what you expected.

Tove Jansson 1914-2001, Dulwich Picture Gallery (Exhibition)

I have my wife to thank for my appreciation of Tove Jansson, and our exhibition visit on 20/01/18. My wife, you see, has been a fan of Ja...